Theatre Review: Windsor 2019

Reviewer/ Photographer: Don Boshart
What: #TheABBAShow
Where: Chrysler Theatre, Windsor, Canada
Publication: 519 Magazine
Original Source: CLICK HERE

Australian ABBA tribute ABBAsolutely fABBAulous returned to Windsor’s Chrysler Theatre this past Tuesday (June 4) to kick off their Canadian tour and brought fans a pretty close replication of an ABBA show from the 70’s. About the only thing missing in Windsor’s show was a giant disco ball, but the set and costumes more than made up for it.

This show is the whole package, with not just great sounding music that if you closed your eyes you would be hard pressed to tell the difference, but also accurate costuming and stage props, and even the Swedish accents. This production works hard at it to the point of studying old footage of ABBA shows on their days off to perfect the stage moves and the voices. The accents and stage banter sounded a little corny to me at times and I’m not sure if that was intentional, but the fans didn’t seem to mind.

During the first half of the show they began playing Dancing Queen then abruptly stopped, asking the crowd the name of the song and saying, “It’s not called Sitting Queen, get up here and dance”. There were several costume changes by the ladies during the show and the Bjorn Ulvaeus character used a copy of the star guitar that Ulvaeus was famous for.

The show is designed to get the audience involved and during the second half they asked the crowd if there was a Man After Midnight in the crowd. After walking up one of the aisles they coaxed a gentleman from his seat and brought him on stage, put a pink hat and boa on him and had a little fun dancing with him and having him do a limbo under a mic stand.

The four main performers are backed by a very tight sounding four piece backup band featuring a bassist, drummer, Sax player/keyboardist and backing vocalist/guitarist.

The set covered all the big hits you would expect and a few only diehard fans would know. Considering the average age of the audience looked to be 50’s to 60’s I imagine most of them were those diehards. One group of four women, who obviously have seen this show before, came dressed in matching capes and furry boots, prepared to dance the night away.

I would highly recommend seeing this show if they make a return to the 519 area. Whether you’re a big ABBA fan or just love good music and a fun night out, ABBAsolutely fABBAulous delivers on all counts.

Theatre Review: Windsor 2019

Reviewer: Robert Tuomi
What: #TheABBAShow
Where: Chrysler Theatre, Windsor, Canada
Publication: Eyes on Windsor
Original Source: CLICK HERE

In the 1970s, Sweden, the small Scandinavian country between Finland and Norway, becomes a superpower on a number of fronts. Safety-conscious accountants love its Volvos. Air forces delight in its SAAB jet fighters. Its iconic furniture store, Ikea, introduces the globe to new words to describe its ever increasingly popular products.

Surprisingly one of its most beloved exports had disco dancers around the world singing songs with a Swedish accent. And that’s really what set of a night of outstanding, high-energy entertainment Tuesday inside a packed Chrysler Theatre at downtown’s St. Clair Centre for the Arts.

Out of a dark centre stage, Australia’s The ABBA Show tribute band’s Hannah Pocock as Agnetha Fältskog and Jenna Ball as Anni-Frid Lytngstad (Frida), the two female singers in the acclaimed singing group ABBA, introduce the audience to the opening lines of Slipping Through My Fingers. A poignant song, it talks of a mother realizing her daughter is growing. With decided Swedish accents, Pocock and Ball, both from Britain, start the show off with: “Schoolbag in hand, she leaves home in the early morning.”

They never look back, putting their unbridled chemistry together to unhinge the audience who spend the night alternatively standing with their arms in the air or swaying in their seats. ABBA is in the house, or as close to in the house as possible with four highly talented tribute musicians and singers taking Windsorites on a journey through every popular song ever published by the Swedish dynamic quartet. Those who missed it missed one of the best Tribute shows to reach the city in quite some time.

Slipping, was written by ABBA’s guitarist Björn Ulvaeus about his observations of his wife Agnetah and their growing daughter Linda. The two other group members Frida and keyboardist Benny Andersson were also married.

Without question, disco reigns supreme with ABBA and its most popular song of the night is nothing less than its disco era number one hit, Dancing Queen.

Other memorable songs include, but are not limited to, Winner Takes All, Super Trouper, Fernando and Thank You for the Music, a tribute to ABBA’s members sung under a slide show of actual group photos during their heyday.

When the band starts with the recognizable notes of Knowing Me Knowing You, Pocock playing Fältskog, throws it all into an even higher gear, if that was even possible. She brings the audience into the song. And why not, judging by the abundance of grey hair, the lyrics are no mystery. Later Ball, as Lytngstad, pulls a man named Darcy out of the audience to participate on stage. He surprises all and seems one step ahead of Pocock and Ball in the dance moves department.

Some of the audience members dress like it is still disco time and seem to be having a lot more fun than they should. Those who were without ABBA type clothing kept Lee Middleton busy at the souvenir stand. The resident of South Pool, England tells Eyes on Windsor his most popular item are the t-shirts he has on offer. Other items include fancy hats, trinkets and posters.

After the concert the four artists sign the merchandise for their new fans and, as Middleton says, hopefully will be in a Windsor hotel by midnight to catch some shut-eye before doing it all again on Wednesday in Kitchener.

This is Showtime Australia’s The ABBA Show’s second performance in Windsor after an initial outing in 2015. Johnny Van Grinsven, company chief executive and The ABBA Show director, sums up the popularity of the Swedish group’s music as, “a true phenomenon. It’s just something that never seems to die down, people just never tire of this show wherever it goes.”

No where could this be truer than Windsor on a Tuesday night.